Check the catalog for this item.
Here’s something you don’t see very often – a story narrated by – DEATH. DEATH is not evil, or cruel. He doesn’t really even get any pleasure from his work. He is, however – necessary. And in Europe during the 1940’s, he is very tired. His one vice – if you could call it that – is that he is fascinated by people. He wants to know what motivates them, what moves them – but mainly – he wants to know how one species can embody examples of the highest, greatest good, and the lowest, most despicable evil.
In this book, he tells us the events that take place during 4 years in the life of Liesel – a young German girl sent by her (Communist – and therefore “doomed”) mother to live with an “acceptable” family on the outskirts of Munich. Three times in the space of a few years, Liesel is present when someone dies. You could say she “comes face-to-face with death.” OR from the opposite point of view, there are three times when DEATH comes face-to-face with her.
Liesel steals her first book at the graveyard when her six-year-old brother is being buried – apparently one of the young groundskeepers has dropped it. Even though she is nine years old, she doesn’t know how to read. Her recurring nightmares resulting from her brother’s death bring her foster father into her room – where – to calm her fears, he begins to teach her to read. It doesn’t matter to her at all that this first, stolen book is “The Grave Diggers Manual”. Her initial, slow attempts to read quickly turn into a fierce appetite for books and words, and ideas, knowledge, and understanding – and with understanding comes questions. Questions about why the world is the way it is – and how can it be fixed. With no money of her own – her only recourse is to steal books whenever she can. As she struggles to understand the world she lives in, she writes the story of her own life in a journal – a diary of sorts – and calls it “The Book Thief”. And like “The Grave Diggers Manual” – it too falls to the ground, unintentionally discarded at a scene of death and sorrow – where our narrator finds it – and treasures it for many years.
In some ways it’s a “coming of age” story, it also has historical aspects, and it’s a story of survival. Anyone with a family had hostages to the prevailing climate of political compliance. If you wanted to keep your poverty-level-subsistence job – you saluted along with the rest of them, kept your opinions to yourself, and your mouth shut. Not to do so was to starve, and your family along with you. From our vantage point 70 years into the future – it seems easy to look at life there, and wonder “How could they let that happen?” But “that” was happening to “them” too – and righteous indignation and the freedom to resist was not a luxury available to the working class citizens.
This highly acclaimed, (extremely) well written, award winning book is “technically” young adult literature – but don’t be fooled. There is more than enough here for adult readers to enjoy – and use for book discussion.